Maybe people know that Alfred Hitchcock used Bosco chocolate syrup in Psycho for blood. Maybe they know he got the sound of stabbing flesh by stabbing casaba melons. Or these are secrets that even this story doesn’t exactly reveal.
This is a kind of writing that leaves its hand over the words to be discovered only as the author intends. It is a Hitchcockian versatility which utilizes symbols to get at deeper, psychological meaning.
There are loops in the story, loops within loops like life-sustaining blood-letting.
I feel bad now that I’ve so indextrously outed the mirrors. Hitchcock strived for utter control over making his movies and their perception/reception. And then someone comes around and, before you even have a chance to see it, tells you how the movie ends.
This story is a set of twin couplets — fruit and chocolate standing in for death and Hitchcock’s Psycho which I will leave for you to draw the representing correspondent.
We’re probably breaking all the unwritten rules of when to publish a new issue of a literary magazine. It’s not only a Sunday but it’s also April 1 — traditionally a day when newspapers come up with less than hilarious spoof news stories and we tell each other something stupid in an attempt to fool the other person. Not us, though. Issue Eighteen of > kill author, with a guest introduction by Ian Sanquist and twenty-eight writers ready to knock you out of any sense of weekend complacency with their words (and, in some cases, their audio and video), is now online.
So avoid the babbling voices of the media today and read this latest issue of > kill author instead. Because we’re not kidding around.